"If you talk about the sustainability aspect it can kill the romance and excitement that fashion brings. Everyone wants the fantasy, to look good and feel fabulous. I wanted to create a commercial product that has quite a powerful story." Tegan Cowlishaw.
“Before travelling to Greece, I knew I wanted to have my own brand and business. I wanted to be able to have creative freedom. The older I am the more appreciation I have for my heritage.” Maria Kambourakis.
Rahma the Label strives to capture and represent a modern reflection of Ethiopian culture by preserving the essence of being African. All pieces are designed in Australia and produced in Ethiopia, with a focus on ethical textile development by artisans.
“Because every woman deserves to feel inspired by new experience, to be struck down by beauty, to rub their eyes with disbelief at a spectacular view, to feel tiny next to a volcanic mountain or massive gorge, to feel brave and adventurous, to experience their body coming alive to the beat of new sounds and unfamiliar music.” Jirra Lulla Harvey.
My favourite part of Black Girl Magic is the commitment to one another to participate in each other’s magic, orchestrating a whole inconceivable reality that truly makes Hogwarts look lame. Celebrating and uplifting one another to reach higher, to laugh louder and to stay winning like Serena Williams. Sometimes, you need a visual to really grasp a concept, so God gave us Serena Williams, Michelle Obama, Beyoncé Knowles, Simone Biles, Gabby Douglas and Elaine Thompson. Kyah Parrott
They say a cat has nine lives – and for Ruby, a First Nations woman navigating the 21st century, ‘nine lives’ are but one way to explain her idiosyncrasies. Join the enigmatic Ruby on her quest for connection, as she unites the truths of history with her experience of the present to uncover the binding threads of people and place. A one-woman exploration of hope, longing and connection.
“If this place is lost, I’m lost, and so is everybody else. We’ll be lost forever. Forgetting those traditional songlines, forgetting traditional languages and ceremonies. If all of that was lost, I would feel so lost myself. I’d feel like my mother worked her butt off for nothing.” Noni Eather.